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Gretsch and Gibson were pursuing very similar design/development paths during this time period. Both companies were working steadily on what they perceived to be the next generation of electric guitars semi-solid with a much thinner body and electronics that didn’t hum.Gibson was developing its legendary humbucking pickup, and the ES-335 – and Gretsch was working on its humbucking pickup, the Filter’Tron, and what was to become the Country Gentleman model.Over the past eight years the donations made by the Gretsch Foundation have generated more than ,000 in supporting funds.“Fred and Dinah have also helped to support our banjo assembly workshops,” Weisman continues.Buying and selling guitars began as a hobby, until 1993, when he left the corporate world to make Gary's Classic Guitars his full-time career. 1967, with his high school band, "The Intensities".Gary is pictured, in center, playing his 1964 Sunburst Fender Stratocaster.Gary Dick is the owner and founder of Gary's Classic Guitars.He has been collecting, playing, and dealing in fine vintage guitars and rare guitars for more than 25 years.

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The instrument is one of the most significant of Lennon's guitars to come on to the market in the last 30 years, said auctioneers Tracks

He preferred a high-end, no nonsense instrument with quality design and construction rather than making a visual statement.

He was also interested in increasing an instrument’s sustain and thus was a proponent of solid construction – from the nut to the end pin.

Grestch’s earliest forays into this new generation of guitars were shaped by artist/endorser/guitar superstar Chet Atkins who had experienced some noise problems with the De Armond pickups used on his Chet Atkins Hollow Body Model 6120 and Chet Atkins Solid Body Model 6121.

Chet was a “no frills” guy, and while delighted to have an endorsement deal, he wasn’t completely enamored with the “flashiness” of his 61.

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